Syllabus


FA:  103
Three Dimensional Design
TA: Meredith Lewis
Class Times: Monday, Wednesday, and Friday: 10:10-11:50
Office: Fine Arts 4066
Office Hours: by appointment

Course Description:
            This class will offer a series of projects that allow investigation of physical attributes of 3D forms in space as well as provide vocabulary to clarify our understanding of all form and imagery we encounter in our lives.  During the semester issues of interpretation, collaboration, and audience interaction will be explored.  A significant component of this class will include introductions to a variety of materials and techniques.  Inventiveness with both traditional (wood, fabric, ceramic, found objects) as well as new media(video, sound, etc.) will be emphasized. 
            This studio-oriented course has a strong physical basis, but we will also examine these issues using slides, readings, videos, and other materials.

Requirements:
            Several major and minor projects will be given during the course of the semester.  Completion of all projects is required for a passing grade, as is regular attendance.  Periodical readings will help inspire, focus, and generate discussion.  Participation in and preparation for these discussions is mandatory.
                        Recommended Textbook:  Launching The Imagination; A Guide to Three Dimensional Design, by Mary Stewart.  Not required to buy.  (Readings are online as listed later in this syllabus.)
Sketchbook: This will be used for recording artistic ideas as well as information and will serve as part of your overall grade. Bring sketchbooks to class daily!
Projects: Project descriptions are handed out as needed with detailed descriptions and due dates. Every project will require plans and drawings that will be reviewed and discussed as well.
Artist Research: On designated Fridays you are required to hand in information on a minimum of three artists who engage three-dimensionality in their artwork. This research should be at least one page for each artist and can include images of the work the artist makes, how chosen artists are engaging the elements and principles of (3-D)design, education, and any personal reflections of the work.
Extra Credit: Attendance at WSU Department lectures will count toward up to three late or leaving class early days. You must write a one page reflection on the lectures to receive credit.
Attendance: Only four un-excused absences are allowed during the semester. Other absences reduce the final grade by half a letter grade per absence. Class begins promptly and attendance is taken every class. Being late and leaving early count as ½ an absence. It is vital that you are at critique days, unless you have a serious reason to miss, YOU ARE REQUIRED TO BE PRESENT.

Grading:
*Individual projects are graded as follows:
25 points-Effort
20 points-Composition(elements and principles of design)
20 points-Conceptual Development
25 points-Craft
10 points-Project Requirements
*Overall grading will be determined as follows:
60% of your grade depends on Projects(graded individually as above)- This includes enthusiastic on-time completion of studio projects incorporating expectations identified in assignment handouts.  You are encouraged to bring personal influences and ideas into your work. Originality and innovation will be generously rewarded.  This class is meant to guide you in both your technical and conceptual artistic endeavors. I expect you to think critically about the work you are making. Beware of using cliché stereotypical symbols, ex: Hearts, rainbows, teddy bears, pretty flowers, unicorns, peace signs, skulls; and if you knowingly decide to use such images be prepared to defend!
Also, no copyrighted symbols or information which includes:
Washington State University Logos, copyright symbols or logos. 
Dig deeper!  Be Inspired!  Take chances!
*Note: Craftsmanship is extremely important, sloppy or unsatisfactory craft could cause an A project to drop! Please be mindful!
20% of your grade depends on Effort.  This includes following through with projects eventhough you may run into problems, trying new forms/ideas outside your comfort zone, maintaining a positive attitude, being prepared and present for all class meetings or coordinating and informing me otherwise, and helping maintain a clean and cooperative studio environment.
10% of your grade depends on your Sketchbook-I will discuss sketches and ideas for projects with you as well as collect sketchbooks throughout the semester to be graded.  Please note that I am not grading you on your drawing ability, but more so that you have sketched out several ideas and notes for projects.
10% of your grade depends on your Artist Research.  As stated before you are required to hand in three artist research papers on designated Fridays, as well as giving a five minute presentation on one artist of your choice.
*Grade values are as follows:
A= Outstanding: Expansive investigation of ideas, excellent composition. All assignments completed on time. Insightful contributions to critiques; immaculate and intentional craftsmanship.
B= Above Average: Substantial investigation of concepts and composition, excellent craftsmanship. All assignments completed on time, insightful contributions to critiques.
C= Average: All assignments done competently and completed on time. Strong participation in critiques. Craftsmanship is standard.
D= Marginal Work: Two or more late projects. Limited investigation of ideas, poor craftsmanship, incoherent compositions, or excessive absences. Limited contribution to critiques.
F= Unsatisfactory Work: Course failure due to minimal idea development, poor craftsmanship, disjointed compositions, lack of participation, late assignments, or excessive absences.

 
A      93-100
A-     90-92
B+   87-89
B      83-86
B-     80-82
C+   77-79
C      73-76
C-     70-72
D+   67-69
D      63-66
D-     60-62
F      59 and below

*Note:  In addition to the above criteria, assignments turned in late without sufficient excuse will be marked down one letter grade for each class meeting that they are late.  The above percentages are flexible at my discretion according to attendance, effort, and quality of work.  This also includes studio cleanup, respect, and general cooperation with me and with your fellow students.
Materials: Some of your materials are supplied and some you will need to purchase. I will inform you when and what materials you will need.
You will need to purchase these initial items
They are available as a kit in the Bookie, or can be purchased individually
-Small tool box
-One X-acto knife
-One pair of scissors
-One roll of masking tape
-One pair of needle-nose pliers
* Each day in class you will have to check out any supplies you use in the tool closet and return them at the conclusion of class.

Safety: Unless otherwise mentioned come to class prepared to work!
-Work clothes
-Closed toed shoes (if working in sculpture area or using machinery)
-No loose hair or jewelry (if working in sculpture area or using machinery)
-All students and visitors must wear industrial quality safety glasses when using machinery or while engaging in any activity which might endanger the eyes
-Clean up after yourself, being a slob will negatively affect your grade
-Lift heavy objects carefully and ask for assistance when necessary.
-Use materials and tools safely, they are not toys
-Students may use the machine tools only after individual instruction and approval by the instructor.

Workload: Class hours alone are inadequate to provide to the degree of involvement expected. Plan on spending a minimum of four to six hours a week beyond class hours to work on projects.  When group projects are required it is your responsibility to plan effectively and observe fair amounts of workload for all members of the group.

Classroom Use: You are welcome to use the facility during the hours when other classes are not in session.  Please leave your area clean and store your projects in a locker or on a designated storage shelf. See Kathy in the art office to get a locker. Please do not put any tape on lockers and be sure to clean them out completely at the end of the semester.
At the end of the semester you must clean out your locker, place all unwanted but useable scrap in the appropriate containers, discard any junk and remove all your projects from the studio. You must remove all projects, supplies, padlocks, and any other personal items from the classroom by finals week.

*Cell phone ringers are to be turned off during class and absolutely NO text messaging!!!  No ipods or earphones, we can listen to music as a class. Failure to observe no cell phone rule will result negatively.

Academic Honesty: WSU is committed to principles of truth and academic honesty. Academic dishonesty includes cheating, plagiarism, and fabrication in the process of academic work, and can result in suspension or dismissal from the university. In this class, academic dishonesty will result in failure of the course and will be reported to the Office of Student Conduct. See http:www.studentaffairs.wsu.edu/conductoffice/academicintegrity.asp for more information.

Students with Disabilities:
Reasonable accommodations are available for students with a documented disability. If you have a disability and may need accommodations to fully participate in this class, please visit the Disability Resource Center (DRC). All accommodations MUST be approved through the DRC (Washington Building, Room 217). Please stop by or call 509-335-3417 to make an appointment with a disability specialist.

Emergency and Safety Statement:
Washington State University is committed to maintaining a safe environment of its faculty, staff and students. The university has developed a resource to ensure this safety, the Campus Safety Plan, which can be found at http://safetyplan.wsu.edu.  It contains a comprehensive listing of university policies, procedures, statistics, and information relating to campus safety, emergency management, and the health and welfare of the campus community. In addition, the University emergency management web site at http://oem.wsu.edu/emergencies provides additional campus safety and emergency information. All students are requested to bookmark in their computers and become familiar with the WSU ALERT site (http://alert.wsu.edu  to read about warning and emergency notification procedures.
All students are requested to register their emergency contact information for the Crisis Communication System (CCS). To do so, go to the myWSU portal at http://my.wsu.edu, enter your network ID and password and, once you are on your myWSU main webpage, look for the Emergency Notification box on the right side of the page and click on Register. You will be asked to enter you cell, landline, and email contact information to ensure you receive any notification as soon as possible. Finally, if you need help evaluating your area in terms of safety and emergency management or have any recommendations, contact Chris Tapfer, University Emergency Management Coordinator at tapfer@wsu.edu or 335-7471 or visit the Office of Emergency Management site at http://oem.wsu.edu

Required Readings:
Reading One:
Launching the Imagination:
Chapter 9, Elements of 3D Design
By Mary Stewart
Reading Two:
Launching the Imagination:
Chapter 10, Principles of 3D Design
By Mary Stewart
Reading Three:
Seeing Is Believing, Chapter 2, How We See
By Arthur Asa Berger
Reading Four:
The Critique Handbook
Chapter One, Formal Matters
By Kendal Buster and Paula Crawford




Class Schedule: (Subject to change)
Week 1= August 22nd, 24th, 26th 
Orientation
Readings One and Two
Project One Introduced
Drawings for Project One
Begin Project One
No artist research for first week

Week 2= August 29th, 31st - September 2nd 
Work on Project One
Reading Four             
Discussion of required readings
Slide Shows from readings
Artist research due on Friday

Week 3= September 5th, 7th, 9th
September 5th- No Class, Labor Day
Work on Project One
Project Two Introduced
No Artist Research
*Thursday, September 8th- Visiting Artist, Cat Clifford Lecture- 6 p.m.

Week 4= September 12th, 14th, 16th
Project One DUE and Critiqued September 12th
Reading Three
Drawings for Project Two
Work on Project Two
Readings (TBA)
Artist research due on Friday

Week 5= September 19th, 21st, 23rd  
Demo of Stop Motion Software
Continue work on Project Two
Discuss Readings

Week 6= September 26th, 28th, 30th 
Project Two DUE and Critiqued September 30th
Project Three Introduced
Drawings for Project Three discussed
Artist research due on Friday
*Tuesday, September 27th-Visiting Artist-Lonnie Graham, Lecture 6p.m.


Week 7= October 3rd, 5th, 7th
Midterm reviews
Work on Project Three
Artist research due on Friday



Week 8= October 10th, 12th, 14th 
October 14th - No Class, BFA Certification Day
Work on Project Three
Artist Research Presentations(5 min. limit)

Week 9= October 17th, 19th, 21st   
Work on Project Three
Artist Research Presentations con’t.
*Thursday, October 20th-Visiting Artist, Jason Ferguson, Lecture 6p.m.

Week 10= October 24th, 26th, 28th
Project Three DUE and Critique October 27th
Introduce Project Four
Discuss Drawings Project Four October 29th
Artist research due Friday

Week 11= October 31st-November 2nd, 4th
Work on Project Four

Week 12= November 7th, 9th, 11th       
November 11th-No Class, Veteran’s Day
Work on Project Four

Week 13= November 14th, 16th, 18th
Project Four DUE and Critiqued November 14th
Introduce Project Five
Artist research due Friday
*Monday, November 14th-Visiting Artist, Marco Deyasi, Lecture 5p.m.

Week 14= November 21st, 23rd, 25th
No Class, Thanksgiving break!

Week 15= November 28th, 30th-December 2nd
Work on Project Five
Artist research due Friday

Week 16= December 5th, 7th, 9th
December 5th and 7th-Project Five DUE and Critiqued
Class clean-up












Local Stores to find supplies:

Moscow Building Supply                                Tri State Distributors
760 North Main                                              1104 Pullman Rd.
Moscow, ID                                                     Moscow, ID
208-882-4716                                                 208-882-4555

Ace Hardware                                                   Goodwill Stores
1690 S. Grand Ave.                                         201 Warbonnet Dr., Moscow
Pullman, WA                                                  2335 Main St., Lewiston, ID.
509-332-1450                                                 3134 5th St., Lewiston, ID

Michaels Arts and Crafts                                Palouse Treasures Thrift Store
1720 W. Pullman Rd.                                      1005 NW. Nye St., Pullman, WA.       
Moscow, ID
208-882-1692

Joanns Fabric                                                    Salvation Army Thrift Store
1104 Pullman Rd.                                           Off of 3rd St. on Jackson St.
Moscow, ID                                                     Moscow, ID.
208-882-6852


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